3 x Thursday Studio Class - 6:30 - 9pm
Private studio class | 3 week term | Max 7 students
In my Pentridge studio, 1 Champ Street, Coburg
Tuesdays 6:30 - 9pm
1 May
8 May - NO CLASS
15 May - NO CLASS
22 May
29 May
Students can use the class as an open studio environment, working on their own projects with guidance, or they can choose to participate in more structured still life or landscape painting activities each week.
For first term students, all materials are supplied.
Ongoing students will need the materials below. Click here to download the list.
***Please note: As class sizes are so small, I’m unable to offer refunds or credits for missed classes I’m sorry, but you are welcome to send someone else in your place if you can’t make it, or you may be able to make up a class in the Tuesday group if space allows.
OIL PAINTERS MATERIALS LIST
Brushes:
I recommend Hog Hair brushes in varying sizes - eg 4, 6, 8, 10, 12 - I generally prefer flat and filbert, but your choice depending on the style of work you’d like to produce. You can find great, economical brushes from Rosemary and Co. - the Bravura range is a good choice. Please make sure you choose long handle brushes.
Supports:
Multiple loose linen/canvas sheets, A4 or A3 and a board you can tape the sheets to. Please don’t bring canvas paper though! Your surface needs to be something you can rub back to (canvas paper is too absorbent).
Paints:
If you’re just starting out, I always recommend investing in fewer colours of the best brand you can afford. My preference is Langridge, Michael Harding, Gamblin or Winsor & Newton.
Before investing in lots of colours, I recommend starting with;
• Ultramarine Blue
• Cadmium Yellow Pale or Lemon Yellow
• Alizarin Crimson or Quinacridone red
• Burnt Sienna
• Titanium White
• Ivory Bla
Nice to have’s but not totally necessary to start with;
• Winsor Blue (Winsor & Newton Range) or Phthalo Blue (green shade)
• Yellow Ochre
• Viridian
• Cadmium red
• Winsor violet or Dioxazine purple
Mediums / solvents:
• Linseed Oil
• Gamsol (Gamblin range) OR Odourless solvent / Solvent 75 (Langridge or Art Spectrum)
Extra stuff you’ll need:
• A board you can tape loose canvas to
• Masking tape
• Double dipper for mediums
• Palette knife
• LARGE wooden palette (natural colour, not white) – closer to A3 size than A4 if possible.
• Roll of paper towel, baby wipes and soft clean rags
Private studio class | 3 week term | Max 7 students
In my Pentridge studio, 1 Champ Street, Coburg
Tuesdays 6:30 - 9pm
1 May
8 May - NO CLASS
15 May - NO CLASS
22 May
29 May
Students can use the class as an open studio environment, working on their own projects with guidance, or they can choose to participate in more structured still life or landscape painting activities each week.
For first term students, all materials are supplied.
Ongoing students will need the materials below. Click here to download the list.
***Please note: As class sizes are so small, I’m unable to offer refunds or credits for missed classes I’m sorry, but you are welcome to send someone else in your place if you can’t make it, or you may be able to make up a class in the Tuesday group if space allows.
OIL PAINTERS MATERIALS LIST
Brushes:
I recommend Hog Hair brushes in varying sizes - eg 4, 6, 8, 10, 12 - I generally prefer flat and filbert, but your choice depending on the style of work you’d like to produce. You can find great, economical brushes from Rosemary and Co. - the Bravura range is a good choice. Please make sure you choose long handle brushes.
Supports:
Multiple loose linen/canvas sheets, A4 or A3 and a board you can tape the sheets to. Please don’t bring canvas paper though! Your surface needs to be something you can rub back to (canvas paper is too absorbent).
Paints:
If you’re just starting out, I always recommend investing in fewer colours of the best brand you can afford. My preference is Langridge, Michael Harding, Gamblin or Winsor & Newton.
Before investing in lots of colours, I recommend starting with;
• Ultramarine Blue
• Cadmium Yellow Pale or Lemon Yellow
• Alizarin Crimson or Quinacridone red
• Burnt Sienna
• Titanium White
• Ivory Bla
Nice to have’s but not totally necessary to start with;
• Winsor Blue (Winsor & Newton Range) or Phthalo Blue (green shade)
• Yellow Ochre
• Viridian
• Cadmium red
• Winsor violet or Dioxazine purple
Mediums / solvents:
• Linseed Oil
• Gamsol (Gamblin range) OR Odourless solvent / Solvent 75 (Langridge or Art Spectrum)
Extra stuff you’ll need:
• A board you can tape loose canvas to
• Masking tape
• Double dipper for mediums
• Palette knife
• LARGE wooden palette (natural colour, not white) – closer to A3 size than A4 if possible.
• Roll of paper towel, baby wipes and soft clean rags
Private studio class | 3 week term | Max 7 students
In my Pentridge studio, 1 Champ Street, Coburg
Tuesdays 6:30 - 9pm
1 May
8 May - NO CLASS
15 May - NO CLASS
22 May
29 May
Students can use the class as an open studio environment, working on their own projects with guidance, or they can choose to participate in more structured still life or landscape painting activities each week.
For first term students, all materials are supplied.
Ongoing students will need the materials below. Click here to download the list.
***Please note: As class sizes are so small, I’m unable to offer refunds or credits for missed classes I’m sorry, but you are welcome to send someone else in your place if you can’t make it, or you may be able to make up a class in the Tuesday group if space allows.
OIL PAINTERS MATERIALS LIST
Brushes:
I recommend Hog Hair brushes in varying sizes - eg 4, 6, 8, 10, 12 - I generally prefer flat and filbert, but your choice depending on the style of work you’d like to produce. You can find great, economical brushes from Rosemary and Co. - the Bravura range is a good choice. Please make sure you choose long handle brushes.
Supports:
Multiple loose linen/canvas sheets, A4 or A3 and a board you can tape the sheets to. Please don’t bring canvas paper though! Your surface needs to be something you can rub back to (canvas paper is too absorbent).
Paints:
If you’re just starting out, I always recommend investing in fewer colours of the best brand you can afford. My preference is Langridge, Michael Harding, Gamblin or Winsor & Newton.
Before investing in lots of colours, I recommend starting with;
• Ultramarine Blue
• Cadmium Yellow Pale or Lemon Yellow
• Alizarin Crimson or Quinacridone red
• Burnt Sienna
• Titanium White
• Ivory Bla
Nice to have’s but not totally necessary to start with;
• Winsor Blue (Winsor & Newton Range) or Phthalo Blue (green shade)
• Yellow Ochre
• Viridian
• Cadmium red
• Winsor violet or Dioxazine purple
Mediums / solvents:
• Linseed Oil
• Gamsol (Gamblin range) OR Odourless solvent / Solvent 75 (Langridge or Art Spectrum)
Extra stuff you’ll need:
• A board you can tape loose canvas to
• Masking tape
• Double dipper for mediums
• Palette knife
• LARGE wooden palette (natural colour, not white) – closer to A3 size than A4 if possible.
• Roll of paper towel, baby wipes and soft clean rags